BySAMMY STEIN
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Apr 09, 2019 For more than two decades, Chris Potter’s limitless creativity, effortless virtuosity and vibrant sense of swing has wowed critics, musicians and fans alike, who cite him as one of the most influential saxophonists and inventive improvisors of the modern day.His new album, Circuits is immediate and uplifting, rooted in a strong sense of groove and intense improvisation.
ReedmanChris Potter
t.1971
woodwind
'gt;Chris Potteris definitely one of the almost all important and inventive improvisors of these situations.Circuitswill be Potter and keyboardistt.1971
woodwind
James Francies
violin
'gt;Wayne Francies, drummerviolin
Eric Harland
n.1976
percussion
'gt;Eric Harlandand bassistn.1976
percussion
Linley Marthe
n.1972
largemouth bass, electric powered
'gt;Linley Marthen.1972
largemouth bass, electric powered
For even more than two years Potter's endless creativity, easy virtuosity and lively feeling of swing possess wowed critics, music artists and followers. Right after three acclaimed cds on ECM,Circuitssees Potter with a new house at Edition Records and a return to groove, echoing his music from his previous Underground team.
'Invocation' starts with efficiently sumptuous striper clarinet blowing under the multi-tracked recordings of additional reeds, generating chorale-like harmonies. There is expectation and conspiracy here, a sense of something large and vivid to arrive. And it will with 'Hold It,' which models off from the start with a tenor groove over dynamic percussion and strong keyboard chords. The track builds both in intensity and the improvisational pursuit, all kept collectively by Harland't energetic, innovative drumming and Francies' dexterous key-boards. This can be modern jazz, powerful and solid, but with a certain aged jazz sense infusion. Potter's rampant solo is definitely mesmeric both in speed and method, which of program means nothing at all without passion, which Potter provides with generosity. The inclusion of a area with electronic sounds over gentle percussion towards the end of the composition's 2nd third allows the contrast Potter introduces in the outro to be fully experienced.
'The Nerve' starts slowly, tentatively and with both a pain and Eastern experience, gradually creating into a syncopated rhythmic track with those Far eastern influences, but today tempered and created into thematic styling and samples. The sax solo is lifting, sensual and powered by the fast key journeying which Potter does so nicely. The bass line facilitates and the key boards stand out on this monitor.
'Koutomé' starts with a dance theme started by Potter, which is definitely became a member of by percussion to develop a Western African-inspired, body- swinging atmosphere, created throughout the track with percussion preserving the decidedly harem-esque accents with a especially nifty solo section incorporated. In the finish area, the tips introduce floating linear weighing machines which raise and increase over the percussive procession. 'Circuits' starts with what noises like an orchestral tune-up, out of which the percussive rhythm emerges, then the bass line, key boards and, lastly, the saxophones imposing a effective melodic theme over the slightly chaotic begin. This is usually a vibrant track, full of various textures and several modifications of speed that combine planet class music artists with electronic sounds, including depths and consistency while dropping short of being overpowering. Potter, making use of overdubbed horns, performs both against and with himself on this balanced and stunning item, whilst both keys and percussion get their location in the limelight. The unexpected change in tempo in the 2nd third can be a surprise, while the largemouth bass and percussion work collectively nicely across this area.
'Exclamation' is certainly a great contrast that explodes into lifetime with an instant concept and difficulty of rhythms, both functioning jointly to create an almost big band sense. The adjustments in rhythm, and the use of different textures from reeds, percussion and bass create this an ear-catching joy from begin to complete.
'Pushed for Time' combines electronics and virtuosity in this spectacular finale to a outstanding saving. The percussion excels right here, in the solo and across the track-and therefore do the largemouth bass and keys. Topped with some eerie reed seems from Potter and some gorgeous, voltaic soloing from the saxophonist on tenor, this can be a good track to near the project as it provides everything jointly and displays the virtuosity of all the musicians.
Circuitsis certainly a excellent recording, and what it does is display Potter at his show-stopping most effective. But it also incorporates modern electronic noises, demonstrating that there is definitely no collection in jazz. Modern can complement with traditional affects and combine to create something verging on the remarkable.
Monitor List: Invocation; Keep It; The Sensors; Koutomé; Circuits; Environment friendly Pastures; Queens of Brooklyn; Exclamation; Pushed For Time.
Employees: Chris Potter: tenor and soprano saxophones, clarinets, flutes, sampler, guitars, key-boards, percussion; James Francies: key-boards; Eric Harland: percussion; Linley Marthe: electrical striper (3-5, 8).
Name: Circuits Yr Launched: 2019 Report Label: Model Records
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About Chris Potter
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In Images
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Recording Reviews
- Circuits by Roger Farbey
- Circuits by Sammy Stein
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- The Dreamer Is the Fantasy by Vincenzo Roggero
- The Dreamer Can be the Desire by Tag Sullivan
- The Dreamer Is certainly the Fantasy by Karl Ackermann
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- Imaginary Metropolitan areas by Angelo Leonardi
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Go through more postsThe Dreamer Will be the.
ECM Information
2017
buy2017
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2015
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The Sirens
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2013
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Upcoming Shows
Time | Detail | Price |
---|---|---|
Aug27Tue | Chris Potter: UndergroundTown VanguardNew York, NY | $35 |
Aug27Tue | Chris Potter: UndergroundCommunity VanguardNew York, NY | $35 |
August28Wed | Chris Potter: UndergroundSmall town VanguardNew York, NY | $35 |
August28Wed | Chris Potter: UndergroundVillage VanguardNew York, NY | $35 |
August29Thu | Chris Potter: UndergroundVillage VanguardNew York, NY | $35 |
Aug29Thu | Chris Potter: UndergroundCommunity VanguardNew York, NY | $35 |
Aug30Comes to an end | Chris Potter: UndergroundCommunity VanguardNew York, NY | $35 |
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ByROGER FARBEY
Indication in to see read count
Indication in to see read count
Circuitscan be, stylistically, relatively far taken out from
Chris Potter
b.1971
woodwind
'gt;Chris Potter's earlier project,The Dreamer Will be The Wish(ECM, 2017) but is definitely certainly no less appealing. Whilst the earlier album is usually, generally, more sedate (with some exclusions), this report is complete of heterogeneous, unanticipated delights and handbrake tempo becomes. That mentioned, the short-ish opener, 'Invocation,' with Potter on bass clarinet, atypically evinces a Duke Ellington-ish attraction with an focus on stylish counterpoint. This can make 'Keep It' audio cool by contrast. But it'h actually a taut, multi-tracked piece kept in place byb.1971
woodwind
Eric Harland
m.1976
drums
'gt;Eric Harland's sharp drumming.m.1976
drums
The spacey sample at the begin of 'The Lack of feeling' gives method within a couple of mins to an Eastern-influenced, time-complex number, underpinned by
Linley Marthe
t.1972
bass, electric
'gt;Linley Marthe's electric powered largemouth bass. Rhythmically, 'Koutomé' provides African-american overtones which are usually enhanced by the sparse striper clarinet ranges that set up the tune. The title track is usually polyrhythmic and rock-infused, the horns are once again multi-tracked and the piece will be suffused with resonant striper flute. It't a gripping, amazing, near-ten moment foray. Harland's drumming towards the summary is especially lively.t.1972
bass, electric
Both the pastoral 'Green Pastures,' with its sensitive tune, and the wistful ballad-esque set up on 'Queens Of Brooklyn,' form a organic interlude from the encircling livelier music. The helter-skelter approach to the appropriately-titled 'Exclamation' makes it a complete fun time, replete with fascinating twists and turns. The collection proves with the keyboard-orientated 'Pressed For Period,' but once again Harland's existence is important, delivering a important, uncompromising defeat.Circuitscarries significant visceral heft and generally thanks a lot to Potter's i9000 multi-instrumental flexibility there's an occasional big band experience to the paths. In any event, this lp demonstrates, once once again, the mark of Potter'beds true virtuosity and genius.Circuitsis certainly an early contender for recording of the season.
Track List: Invocation; Keep It; The Lack of feeling; Koutomé; Circuits; Green Pastures; Queens of Brooklyn; Exclamation; Pushed For Period.
Personnel: Chris Potter: tenor and soprano saxophones, clarinets, flutes, sampler, guitars, keyboards, percussion; Wayne Francies: keyboards; Eric Harland: drums; Linley Marthe: electric powered largemouth bass (3-5, 8).
Title: Circuits Yr Launched: 2019 Record Content label: Edition Information
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About Chris Potter
Live Evaluations
In Images
Radio stations
Recording Evaluations
- Circuits by Roger Farbey
- Circuits by Sammy Stein
Live life Reviews
Album Testimonials
- The Dreamer Is the Wish by Vincenzo Roggero
- The Dreamer Is definitely the Desire by Mark Sullivan
- The Dreamer Will be the Fantasy by Karl Ackermann
Live Reviews
Interviews
Record Evaluations
- Mythical Metropolitan areas by Angelo Leonardi
- Mythical Cities by Ian Patterson
- Fictional Cities by Karl Ackermann
Extended Analysis
Guide Evaluations
Look at more content articlesThe Dreamer Is usually the.
ECM Information
2017
purchase2017
Mythical Metropolitan areas
ECM Records
2015
purchase2015
The Sirens
ECM Records
2013
buy2013
Upcoming Exhibits
Time | Detail | Price |
---|---|---|
August27Tue | Chris Potter: UndergroundVillage VanguardNew York, NY | $35 |
August27Tue | Chris Potter: UndergroundTown VanguardNew York, Ny og brugervenlig | $35 |
Aug28Wed | Chris Potter: UndergroundVillage VanguardNew York, NY | $35 |
August28Wed | Chris Potter: UndergroundVillage VanguardNew York, NY | $35 |
Aug29Thu | Chris Potter: UndergroundTown VanguardNew York, NY | $35 |
August29Thu | Chris Potter: UndergroundTown VanguardNew York, Ny og brugervenlig | $35 |
August30Comes to an end | Chris Potter: UndergroundVillage VanguardNew York, Ny og brugervenlig | $35 |
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